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South Africa’s Ladysmith Black Mambazo was founded in the early 1960s by Joseph Shabalala, then a teenage farm boy living on the lands just outside the small town of Ladysmith, in the province of kwaZulu Natal, halfway between Johannesburg and Durban. Joseph used his hometown’s name to honor his family’s history. Joseph added to his group’s name the word Black in reference to the black oxen, the strongest of all farm animals.

In 2017, Ivor Novello Award-winning and GRAMMY® Award-nominated legend Richard Thompson gave himself up to the music itself. Picking up a guitar, emotions echoed through his deft fleet-fingered fretwork, poetic songwriting, impassioned picking. Those transmissions comprise his nineteenth solo album, 13 Rivers.

“I never really think about what songs mean,” he admits. “I just write them. Some of them reflect on what happened a few months ago or even a year ago. It’s a process of surveying my life and where I was at.”

The Wood Brothers never disappoint in bringing the house down in their hometown, and last week's show was no exception.  The evening started with Amy Helm (product of Levon Helm).  She has a beautiful voice, and stage presence and her band members were exquisite.  I saw hints of 'The Band'... made me wonder if her Dad was at the Theater last evening.  Great way to start the night!

The Wood Brothers have received their first ever GRAMMY Award-nomination for 'One Drop of Truth,' in the "Best Americana Album" field. Released February 2, 2018 via Honey Jar/Thirty Tigers, the 10-track collection—their sixth studio recording to date—was self-produced by the longstanding trio featuring Oliver Wood, Chris Wood and Jano Rix.

By now, the band’s unconventional origin story is well known. Three years ago, guitarist Neal Casal formed the band with keyboardist Adam MacDougall (his bandmate in the Chris Robinson Brotherhood), bassist Dan Horne and drummer Mark Levy to record some Grateful Dead-influenced instrumentals to be played during the set breaks at the Dead’s “Fare Thee Well” concerts. “That was supposed to be the end of it,” Casal says.

Recording both as Parliament and Funkadelic, George Clinton revolutionized R&B during the ’70s, twisting soul music into funk by adding influences from several late-’60s acid heroes: Jimi Hendrix, Frank Zappa, and Sly Stone. The Parliament/Funkadelic machine ruled black music during the ’70s, capturing over 40 R&B hit singles (including three number ones) and recording three platinum albums. Born in Kannapolis, NC, on July 22, 1941, Clinton became interested in doo wop while living in New Jersey during the early ’50s..

Today, Portland, OR's Fruition announce an additional run of dates in early 2019. In addition to stops in Nashville, St. Louis, Kansas City, Atlanta, Asheville the band has announced new stops in Birmingham, New Orleans, Houston, Austin, Dallas Las Vegas, Salt Lake City and more. See full list of dates below. Support for all dates is also now announced. The band will be joined by Daniel Rodriguez of Elephant Revival, Brad Parsons & Starbird, and Dead Winter Carpenters at various dates.

The debate between the Beatles and the Rolling Stones has been going on ever since they first crossed paths on the charts 54 years ago. The argument at the time, and one that still persists, was that the Beatles were a pop group and the Stones were a rock band: the boys next door vs. the bad boys of rock. So who’s better?

The Last Waltz Revisited ft. Polytoxic | The Weight | Boulder Theater | 11/16/18
The Last Waltz Revisited ft. Polytoxic | Mystery Train | Boulder Theater | 11/16/18

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